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it is not a book I need
but a catalog to reach out and hold
to remember I have a body
it should be next to my bed and I should
upon waking be able to touch
even while still asleep if I can touch it
I will know
in the morning if
and how I am still alive
cake frosting on all doors each door a separate kind of cake
this one carrot that one German chocolate red velvet
our hair in the car moving toward the future
my hand in icing
I softened
half-buried in the blue blue ocean
I never watched you pull your hair up how did I get it so tight and loose
did your mother teach you sit out in the garden think about the ground in summer
you had a drink in your hand and it was sweating
blank face a mirror to take apart cut layers from
melt to magnifying glass hot August
insect in the sun line burn body pop
far out back of house backroad to hills’ black licorice
shining excrement of deer
no logic just a way to move
from sleep into waking
because I want a place to return to
does not mean I will always return
oh dear o hear grandmother you are a pile of wood
o grandmother you are even smaller
fell dry and yellowed needles to the ground
men with matches lit fire country
in flood climb higher
I waiting thin mattress on the floor
for you in my blue shoes cooling
summer day at the house on the hill eating watermelon working it down to the teeth
the rind bitter your face from here I sure now how to be no need to
look at you back then back at me to know if I’m doing it right
you said the Prayer of John brought me to ease my parents’ grief
I wanted to marry a socialist
there was nothing you could do
people to fill people driving fast down
it was like that for you I guess
olive skin big lips top of hill
ritual all the flowers and skies and the little bugs
magnolias my feet stomping ants by the front door
can I love that can I love
your singing
sang songs to them
as they died I sang songs to all of them
grandmother I brushed my hair put lotion
on your hands your knotted pines our face
sinking I remind you there is ugliness and I know this
there is a diamond in your eyes inside
my eyes my eyes my my
they put menstruating women in a room together
and called it a dying place
woman wore wedding dress backwards
got married in a circle down by the river
her house the field her home the meadow
language a process history
bleeding profusely with no new life
important that everyone be eating
a hot thing from a plate or bowl
taken all the way in
to weight the self
in time
or when I tear the machine
out what pours
it is
alwaysSundaymorning
filling the god-
shaped
hole
did not know
there was onename I knew
until spring :
walking with you in Portland in the sun you smoking just back from middle of country so tired always so tired so sweet Minneapolis
you said momdadbrother you said
poetry
that
fills the god hole
five months laterpoetry
now your fatheris dead(your son)
and what hole
what hollow
what motion is this
you have not written
any poemsyou are in love
with a woman
hernot writing but
sound
objects
Rachael sees food
when she hears
names
Lilly sees color
said her colors
don’t require
the stage
of consciousness
capable of naming
Rachael
said Catie
is peaches
and colored peach
ripe
peach
bury yourself
in the ground
or they’ll
they bite
I keep the skin of the first summer [peach] from splitting / spend fifty dollars on underwear
too sweet juice
run down
forearm
down
beauty drip to elbow
I tried to taste
but I could not reach
erotic threat
sad stories
theirsound
skin puncture
they bit
where I bit
the drip
dried gloss
I have been running too
to rid myselfmurky clay cast
across solar plexus
I run and run
am getting fast
school zone speed check
limit LED yellow number saw
my existence as
not a car said 8 MPH sogreat victory oflife
mine
movement the only anchor movement the only anchor movement the only anchor movement the
light bulb / I mean hold your face to a desk lamp / see how you see / how you only see yourself
so sun
streaking
my covered body
fastly this only joy
o chestI have seen wonder
have filled myselfsitting daily alone
in front of my dead and dying family
but I’ve got a candleI’ve got some matches
and some pretty flower petals
sometimes an empty bowl
or water
the bulbs
sitting here
on pillow
cased in yellow
roses
where were you
when that was a color
against my cheek
you wake up tomorrow you sit you wake up
not too many of us
left in thisfamily
more every day
yesterday
on the drive
phone photo of my father holding Hattie
Hattie after Harriet
grandmother
peachlies peachlies she called us
peachlies all of us
first Harriet is gone awhile
long enough to name
a baby after
other grandmotherdead toojust
this
summerJuly the color
of her face
July
we are getting smaller
my fatherhis hands
and
new Hattie towhead blonde
another summer
peach
so small and fat
if I make one of those
will it keep me
from waiting
to die
will it keep me
from wanting to
little girlno idea yetin her face that her hairher face
made of
hundredsof gone faces
sothose pictures look
my chestabdomen buoyed light from insideof shut up eyes
iris expanding skull someday organdonorsomeday
where’d you get those
sitting alone sitting trying try to arrive to see
THESILENCEOFTHESELF
those eyes
o uncle,
o grandfather,
o Harriet
Annielittle lonesome
this is not a good story
it is
desert
your dead
your dad
drunkin his car
on the side
of the highway
early winterhow can I
tellthat
brown ground
first November freeze
Horseshoe Bend Hill
tire curve
when I don’t know
if he died
first
got still
or got cold
some funerals in a row
no shoes no color
addressing empty
room on the way to flowers
in my arms again the flowers
flower in the ground
you wanted a river but I saw a lake
calm between gray mountains
how can it get that blue
alone in winter
you on summer chaise
left me asleep
all day in wet swimsuit
sugar and salt my belly gold
around your wrist
men passing before you
screaming oh nothing
just a woman here a little
lonesome around the table
teaching me how
teaching
pearl pearl reverse loss
by suppressing the feminine
no line between my father yours
your brother no son
what husband
will I have this year
what we did without them
was what we would have done
you trying over and over to find me
sun too high no ants
a pillow for my head
apple juice in a can
on the floor eating color
off the walls
all of this is real
I can show you
here my voice
is my voice
to think of you as children or
trying on clothes
middle school in the deep deep snow
me in dressing room feeding
what would you have done with two of us
as ten year olds trying to learn geometry
or twenty in front of you at the grocery store
as you cried out for babies to come so easy
I smelled what it smelled like
when you were pregnant
walked you around all night hospital hall
listing the top of his head was red his toes
when I asked you how it felt
to breastfeed you said
like shitting from the chest
your cells to render faces
permeable to love them let them
hang from you like ivy
on the porch
twin gone in my hands
the peach you picked
to write a letter
from being dead
to being
so I know what it is but can’t
come back
can I love that
can I love
myself singing
something god
in the mountain
CL Young is the author of two chapbooks, including What Is Revealed When I Reveal It to You (Dancing Girl Press, forthcoming 2018). Her poems have recently appeared in Ghost Proposal, Gramma, The Volta, Public Pool, and elsewhere. She lives in Colorado and is from Boise, Idaho.
This originally appeared on November 12, 2017